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He bought a photocopier ______.A.by accidentB.because he couldn't find a place to make a p

He bought a photocopier ______.

A.by accident

B.because he couldn't find a place to make a photocopy

C.because there was no place nearby to provide the photocopy service

D.because all sorts of people need it

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第1题

Judging from the passage, the author ______.A.suggests that New Castle is fortunateB.wonde
Judging from the passage, the author ______.

A.suggests that New Castle is fortunate

B.wonders at Wilmington's prosperity

C.regrets that the two places should have become so different

D.thinks that Wilmington should not tear down old houses

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第2题

According to Charles, people send messages via facsimile because ______.A.it is cheaper an
According to Charles, people send messages via facsimile because ______.

A.it is cheaper and faster than ordinary mail

B.it can send things that could not be expressed by telex

C.it is faster and not much more expensive than mail

D.the Royal Mail could not reach places abroad

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第3题

Charles does not like customers who ______.A.are very rudeB.keep talking to him when he is
Charles does not like customers who ______.

A.are very rude

B.keep talking to him when he is busy

C.only buy small things

D.bargain with him too much

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第4题

Ask an American schoolchild what he or she is learning in school these days and you might
Ask an American schoolchild what he or she is learning in school these days and you might even get a reply, provided you ask it in Spanish. But don't bother, here's the answer: Americans nowadays are not learning any of the things that we learned in our day, like reading and writing. Apparently these are considered fusty old subjects, invented by white males to oppress women and minorities.

What are they learning? In a Vermont college town I found the answer sitting in a toy store book rack, next to typical kids' books like Heather Has Two Mommies and Daddy Is Dysfunctional. It's a teacher's guide called Happy To Be Me, subtitled Building Self Esteem.

Self-esteem, as it turns out, is a big subject in American classrooms. Many American schools see building it as important as teaching reading and writing. They call it "whole language" teaching, borrowing terminology from the granola people to compete in the education marketplace.

No one ever spent a moment building my self-esteem when I was in school. In fact, from the day I first stepped inside a classroom my self-esteem was one big demolition site. All that mattered was "the subject", be it geography, history, or mathematics. I was praised when I remembered that "near", "fit", "friendly", "pleasing", "like" and their opposites took the dative case in Latin. I was reviled when I forgot what a cosine was good for. Generally I lived my school years beneath a torrent of castigation so consistent I eventually ceased to hear it, as people who live near the sea eventually stop hearing the waves.

Schools have changed. Reviling is out, for one thing. More important, subjects have changed. Whereas I learned English, modern kids learn something called "language skills." Whereas I learned writing, modern kids learn something called "communication". Communication, the book tells us, is seven per cent words, 23 per cent facial expression, 20 per cent tone of voice, and 50 per cent body language. So this column, with its carefully chosen words, would earn me at most a grade of seven per cent. That is, if the school even gave out something as oppressive and demanding as grades.

The result is that, in place of English classes, American children are getting a course in How to Win Friends and Influence People. Consider the new attitude toward journal writing: I remember one high school English class when we were required to keep a journal. The idea was to emulate those great writers who confided in diaries, searching their souls and honing their critical thinking on paper.

"Happy To Be Me" states that journals are a great way for students to get in touch with their feelings. Tell students they can write one sentence or a whole page. Reassure them that no one, not even you, will read what they write. After the unit, hopefully all students will be feeling good about themselves and will want to share some of their entries with the class.

There was a time when no self-respecting book for English teachers would use "great" or "hopefully" that way. Moreover, back then the purpose of English courses (an antique term for "Unit") was not to help students "feel good about themselves." Which is good, because all that reviling didn't make me feel particularly good about anything.

Which of the following is the author implying in paragraph 5?

A.Self-criticism has gone too far.

B.Communication is a more comprehensive category than language skills.

C.Evaluating criteria are inappropriate nowadays.

D.This column does not meet the demanding evaluation criteria of today.

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第5题

Charles thinks that nowadays running a small shop becomes increasingly difficult ______.A.
Charles thinks that nowadays running a small shop becomes increasingly difficult ______.

A.so his shop will surely go bankrupt

B.but his shop will surely make good money

C.and the only way to save his shop is to change the government

D.because it's hard to keep up with the rising cost

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第6题

How would you describe the author's attitude towards current learning strategies?A.Distanc
How would you describe the author's attitude towards current learning strategies?

A.Distanced.

B.Admiring.

C.Objective.

D.Ironical.

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第7题

The author's intention is to get us to ______.A.rethink educational strategiesB.approve of
The author's intention is to get us to ______.

A.rethink educational strategies

B.approve of current trends

C.think about what constitutes communication

D.reassure parents

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第8题

SECTION CNEWS BROADCASTDirections: In this section you will hear everything ONCE ONLY. Lis
SECTION C NEWS BROADCAST

Directions: In this section you will hear everything ONCE ONLY. Listen carefully and then answer the questions that follow. At the end of each news item, you will be given 10 seconds to answer the questions.

听力原文: The cancellation of the 16-day flight means that the crew and scientists on the ground are pursuing only their most important experiments in the few remaining hours left before the shuttle laboratory is closed. The US sapce agency NASA decided Sunday to bring the orbiter home 12 days early because of fears of weakened power generator could explode. The generator has been turned off, leaving the shuttle with only two thirds of its normal power supply. To conserve electricity for the experiments the crew is working in dimmer lighting than normal and has turned off all unessential equipment. NASA says the two remaining generators are sufficient for Tuesday's landing, but had nevertheless ordered the astronauts to study emergency procedures in case another fails. The shuttle team has expressed its disappointment at the curtailment of the science mission, and says enough data have already been collected in the materials, combustion and biological experiments to push science further ahead. The scientist' goal is to complete the experiments on a later shuttle flight. David Batlery, VOA news, Washington.

Why did NASA decide to bring the shuttle home earlier?

A.The laboratory was closed.

B.The generator was turned off.

C.The power generator might explode.

D.Electricity was going to run out.

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第9题

How many generators does the shuttle carry?A.One.B.Two.C.Three.D.Four.
How many generators does the shuttle carry?

A.One.

B.Two.

C.Three.

D.Four.

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第10题

Practically speaking, the artistic maturing of the cinema was the single-handed achievemen
Practically speaking, the artistic maturing of the cinema was the single-handed achievement of David W. Griffith (1875-1948). Before Griffith, photography in dramatic films consisted of little more than placing the actors before a stationary camera and showing them in full length as they would have appeared on stage. From the beginning of his career as a director, however, Griffith, because of his love of Victorian painting, employed composition. He conceived of the camera image as having a foreground and rear ground, as well as the middle distance preferred by most directors. By 1910 he was using close-ups to reveal significant details of the scene or of the actors. The exploitation of the camera's possibilities produced novel dramatic effects. By splitting an event into fragments and recording each from the most suitable camera position, he could significantly vary the emphasis from camera shot to camera shot.

Griffith also achieved dramatic effects by means of creative editing. By juxtaposing images and varying the speed and rhythm of their presentation, he could control the dramatic intensity of the events as the story progressed. Despite the reluctance of his producers, who feared that the public would not be able to follow a plot that was made up of such juxtaposed images, Griffith persisted, and experimented as well with other elements of cinematic syntax that have become standard ever since. Those included the flashback, permitting broad psychological and emotional exploration as well as narrative that was not chronological, and the crosscut between two parallel actions to heighten suspense and excitement. In thus exploiting fully the possibilities of editing, Griffith transposed devices of the Victorian novel to film and gave film mastery of time as well as space.

Besides developing the cinema's language, Griffith immensely broadened its range and treatment of subjects. His early output was remarkably eclectic, it included not only the standard comedies, melodramas, westerns, and thrillers, but also such novelties as adaptations from Browning and Tennyson, and treatments of social issues. As his successes mounted, his ambitions grew, and with them the whole of American cinema. When he remade Enoch Arden in 1911, he insisted that a subject of such importance could not be treated in the then conventional length of one reel. Griffith's introduction of the American-made multireel picture began an elaborate historical and philosophical spectacle. It reached the unprecedented length of four reels, or one hour's running time. From our contemporary viewpoint, the pretensions of this film may seem a trifle ludicrous, but at the time it provoked endless debate and discussion and gave a new intellectual respectability to the cinema.

The author of this passage seems to imply that Victorian novels ______.

A.are like films

B.may not narrate events chronologically

C.exploit cinema's language

D.feature juxtaposed images

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